On Tuesday 9 April 2019, the CD ‘Songs of Heritage, Hope and Healing’ by Mantombi Matotiyana was launched at the Theatre Arts Admin Collective (TAAC) in Observatory, Cape Town.
moreifPOP, Hidden Years and FUNGUS invites you to a rare vinyl listening session with selectors Atiyyah Khan and Rob Machiri. We’ve asked Atiyyah and Rob to select records from the Hidden Years Music Archive as a way to open the
moreRace, politics, and opera production during apartheid South Africa intersect in this historiographic work on the Eoan Group, a “coloured” cultural organization that performed opera in the Cape.
moreMarc Röntsch, who started working on the Christopher Langford James archive many years ago, reflects on the donation of the James piano to AOI.
moreThe Philosophy of Composition, Michael Blake’s works for cello and piano, performed by Friedrich Gauwerky (cello) and Daan Vandewalle (piano). Read Stephanus Muller’s liner notes here.
moreMusiek, erfenis en restitusie was die elemente van Dinsdagaand se opening van die nuwe tuiste van AOI op Stellenbosch. Lees artikel in Die Burger.
moreIn remembering residents uprooted from central Stellenbosch because of the Group Areas Act, AOI officially named its offices after the first residents who lived at 7 Joubert Street. Read more here.
moreSpeech delivered by the Director of AOI, Prof. Stephanus Muller, on 9 October 2018 at the inauguration of the institute and the naming of the AOI premises at 7 Joubert Street as Pieter Okkers-huis.
moreSounding Cities is an interdisciplinary project between composers, artists and performers that links the cities of Johannesburg in South Africa and Birmingham in the UK.
moreThe death has been announced on 5 August of composer and academic Stanley Glasser. Read about his song cycle, Exile, here. This article was originally published in Art South Africa 9:4, 2011.
moreIn the run-up to Africa Day on 25 May 2018, AOI Director Stephanus Muller published the following piece in the Cape Times. Read the article here.
moreFrom the outside, it looks like a barn. But on entering, you step into a spacious hall with a Model D Steinway piano and small recording studio. Potton Hall on the UK’s Suffolk coast is located in Benjamin Britten country.
moreProf. Chris Walton writes about forgetting and remembering in South Africa. Read the article here.
moreHow does one think about classical Western music in 2018 in South Africa? And what place do the creators of such works occupy on the country’s cultural landscape? For me, these questions were prompted during the recent world premiere performances
moreResponse delivered at the Graham Newcater concert in the Stellenbosch Art Gallery on 25 January 2018 at 7.pm, with a film by Aryan Kaganof and piano performance by Mareli Stolp.
moreHierdie artikel is in Stellenbosch Visio (Herfs 2017) gepubliseer. Die Kruiskerk-konsert was die eerste sodanige geleentheid tydens die 2015/16 studenteproteste waartydens musici, digters en skrywers ten bate van die studente opgetree het.
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