Deon Liebenberg, ‘Gereformeerdheid, modernisme en abstraksie in Leo Theron se werk in glas vir die Nederduits Gereformeerde Kerk’, supervisor: Prof. Stephanus Muller. https://scholar.sun.ac.za/handle/10019.1/132029
Irma Liebenberg, ‘Die buitenetwerk van Afrikaanse vroue-kinderliedjiekomponiste: ‘n biografie van konneksies’, supervisor: Prof. Willemien Froneman.
Master’s:
Rudolph Joorst, ‘The history of the Moravian Brass Band Union of South Africa (BBSA) as told through the personal histories of members, and its contemporary role in the Moravian Church in South Africa (MCSA).’, supervisor: Prof. Stephanus Muller. https://scholar.sun.ac.za/handle/10019.1/132007
Mieke Struwig, ‘An Intellectual History of Institutionalised Music Studies in South Africa’, supervisors: Dr Carina Venter and Prof. Stephanus Muller. https://scholar.sun.ac.za/handle/10019.1/130248
Master’s:
Brent January, ‘Reading Darius Brubeck’s The Maskanda: thoughts on decolonization and music.’, supervisor: Prof. Stephanus Muller. https://scholar.sun.ac.za/handle/10019.1/131680
2023
PhD’s:
Nduduzo Makhathini, ‘Breaking into sound: dis/locating Ntu cosmology and improvisation in South African jazz’, supervisors: Prof. Stephanus Muller, Dr Stephanie Vos and Dr Uhuru Phalafala. http://hdl.handle.net/10019.1/127007
Master’s:
Lindsay Friday, ‘Queer electronic rave rapping Zulu princesses don’t grow on trees’: a digital ethnography of Toya Delazy’s curated persona as a South African popular musician on Instagram’, supervisor: Dr Marc Röntsch. http://hdl.handle.net/10019.1/127330
Anke Froehlich, ‘Copyriot: the political economy of digital music streaming’, supervisors Prof. Lizabé Lambrechts and Prof. Willemien Froneman. http://hdl.handle.net/10019.1/127373
Pakama Ncume, ‘Being public: musicians and the Market Theatre Cafe, 1976 – 1980’, supervisor: Prof Lizabé Lambrechts. http://hdl.handle.net/10019.1/127235
Angie Mullins, ‘Future-Focussed Music Education: Developing 21st-Century Competencies in a South African Middle School Music Classroom’, supervisor: Prof. Christine Lucia. http://hdl.handle.net/10019.1/110269
Visser Liebenberg, ‘Artistic experimentation through decolonial sound projects for clarinet’, supervisors: Prof. Stephanus Muller and Dr Esther Marie Pauw. http://hdl.handle.net/10019.1/110311
Master’s:
Féroll-Jon Davids, ‘Gordon Jephtas (1943-1992), A coloured life in opera’, supervisors: Dr Hilde Roos and Dr Carina Venter. http://hdl.handle.net/10019.1/110282
Zayne Upton, ‘Towards a Model for Digital Scholarly Editions in South Africa’, supervisor: Prof. Christine Lucia. http://hdl.handle.net/10019.1/123819
Santie de Jongh, ‘Music and Militarisation during the period of the South African Border War (1966-1989): Perspectives from Paratus’, supervisor: Prof. Stephanus Muller. http://hdl.handle.net/10019.1/109103
Grace Talabi, ‘A study of the music and social meaning of selected choral works from Dayọ̀ Oyedun’s cantatas’, supervisors: Prof Stephanus Muller and Dr Paula Fourie. http://hdl.handle.net/10019.1/107884
Master’s:
Ashrudeen Waggie, ‘“It’s just a matter of time”: African American musicians and the Cultural Boycott in South Africa, 1968-1983’, supervisors: Dr Lizabé Lambrechts and Dr Chet Fransch (History).
2019
PhD’s:
Annemie Behr, ‘Constructing a history from music reportage: Jewish musical life in South Africa, 1930-1948.’, supervisor: Prof Stephanus Muller.http://hdl.handle.net/10019.1/107884
2018
PhD’s:
Wayne Muller, ‘A reception history of opera in Cape Town: Tracing the development of a distinctly South African operatic aesthetic (1985–2015)’, supervisor: Prof Stephanus Muller. http://hdl.handle.net/10019.1/105193
Master’s:
Beatrix Kirsten, ‘Reading the Paratext: Leib Kirschner’s Cantorial Anthology of 1910’, supervisor: Dr Hilde Roos. http://hdl.handle.net/10019.1/105053
Oladele Ayorinde, ‘Dizu Plaatjies and the Amampondo: Music, Agency and Social Transformation’, supervisor: Prof Stephanus Muller. http://hdl.handle.net/10019.1/103371
Nduduzo Makhathini, ‘Encountering Bheki Mseleku: a Biographical-analytical consideration of his life and music’, supervisors: Dr Stephanie Vos, Dr Jonathan Eato (University of York) and Prof. Stephanus Muller. http://hdl.handle.net/10019.1/103795
Kyle Shepherd, Interrogating the own: a practise-based, auto-ethnographic reflection on musical creation with reference to the work of Abdullah Ibrahim, Zim Ngqawana and Kyle Shepherd, supervisors: Dr Stephanie Vos, Dr Jonathan Eato (University of York) and Prof Stephanus Muller. http://hdl.handle.net/10019.1/103764
2017
PhD’s:
Claudia Jansen van Rensburg, ‘Perspectives on musical strategies of settlement and migration: four case studies from the Western Cape, South Africa’, supervisors: Prof Stephanus Muller and Dr Thomas Cousins. http://hdl.handle.net/10019.1/102646
Marc Röntsch, ‘An Anthology of Existence: Explorations into the Life and Works of Christopher Langford James (1952 – 2008)’, supervisor: Prof Stephanus Muller. http://hdl.handle.net/10019.1/102614
Jackie Bullindah, ‘Creative processes in generating theatrical music for plays in Kenya’, supervisors: Prof Stephanus Muller and Prof Emily Akuno (The Co-operative University of Kenya). http://hdl.handle.net/10019.1/102652
Master’s:
Michael Dunseith, ‘Manifestations of ‘langarm’: from colonial roots to contemporary practices’, supervisor: Prof Stephanus Muller. http://hdl.handle.net/10019.1/101096
Inge Engelbrecht, ‘Die Komponiste van Genadendal’, supervisors: Prof Stephanus Muller and Dr Aletta Coertzen. http://hdl.handle.net/10019.1/101338
