Dr Hilde Roos

General Manager

+27 21 808 2350

Hilde Roos is the General Manager of Africa Open Institute for Music, Research and Innovation at Stellenbosch University. Her work focuses on historical and contemporary representations of opera in Southern Africa with special reference to the intersection of the genre with politics and race. She has published widely about the Eoan Group, a so-called coloured opera group who performed opera during Apartheid. She is the author of The La Traviata Affair – Opera in the Age of Apartheid (University of California Press, 2018), and joint editor of “Sorry. I am what I am.” The life and letters of the South African pianist and opera coach Gordon Jephtas (1943–92) (Basler Afrika Bibliografien, 2023) and EOAN – Our Story (Fourthwall Books, Johannesburg, 2013). In 2020 she co-edited African Theatre – Opera and Music Theatre, exploring historical and contemporary traces of opera and music theatre on the African continent. 

Hilde is also a founder member of the Black Opera Research Network (BORN), an international network of scholars that engage with conversations on the history, experiences, politics and practices of Black Opera. 

  • 2023 of “Sorry. I am what I am.” The life and letters of the South African pianist and opera coach Gordon Jephtas (1943–92) (co-editor). Basler Afrika Bibliografien, ISBN 978-3-906927-58-9. 
  • 2020 African Theatre – Opera and Music Theatre (co-editor). Boydell & Brewer, ISBN ISBN 978–1–84701–257–9. 
  • 2018 The La Traviata Affair – Opera in the Age of Apartheid. (monograph) University of California Press, ISBN 978-0-5202998-9-4. 
  • 2013 Eoan – Our Story, an oral history of the Eoan Group (co-editor). Fourthwall Books, ISBN 978-0-9870429-1-0. 
  • 2022 In Conversation with Zakes Mda: “The full story must be told.” https://herri.org.za/7/hilde-roos/  
  • 2021 ‘Burgerskap onder konstruksie: Aida en Rigoletto by die Suid-Afrikaanse Republiekfeesvieringe, 1971’ (Citizenship under construction: Aida and Rigoletto at the South African Republic Festival, 1971), Litnet Akademies, Vol 18/2, ISSN 1995-5928. 
  • 2020 Sicula iOpera – a raised fist?  https://herri.org.za/4/hilde-roos/  
  • 2020 Unengaged polarities – Musa Ngqungwana’s Odyssey of an African Opera Singer, https://herri.org.za/3/hilde-roos/  
  • 2016 ‘Briewe aan ’n diva: die verswyging van gay-identiteit in Gordon Jephtas se briewe aan May Abrahamse’, (Letters to a diva: the concealment of gay identity in the letters of Gordon Jephtas to May Abrahamse), Litnet Akademies Vol 13/1, pp. 31-55, ISSN 1995-5928. 
  • 2015 ‘Eoan – Our Story: Treading new methodological paths in music historiography’, Historia, Vol 60/2, pp. 185-200. ISSN 0018-229X. 
  • 2014 ‘Probing the boundaries of opera as notated practice in South Africa: the case of Eoan’, Muziki, Vol 11/2, pp. 79-88, ISSN 1812-5980. 
  • 2014 ‘Viva Verdi: Ringing the changes at Cape Town Opera’. Acta Musicologica, Vol 86/2, pp. 249-266, ISSN 0001-6241. 
  • 2013 ‘Remembering to forget the Eoan Group ¬– the legacy of an opera company from the apartheid era’, South African Theatre Journal, Vol 27/1, pp. 1-18, ISSN 2163-7660. 
  • 2012 ‘Indigenization and History: how opera in South Africa became South African opera’, Acta Academica, Supplement 2012/1, pp. 117-155, ISSN 0587-2405