by Hilde | Nov 6, 2018 | Collections
Race, politics, and opera production during apartheid South Africa intersect in this historiographic work on the Eoan Group, a “coloured” cultural organization that performed opera in the Cape.
by Hilde Roos | Oct 15, 2018 | Collections
The Philosophy of Composition, Michael Blake’s works for cello and piano, performed by Friedrich Gauwerky (cello) and Daan Vandewalle (piano). Read Stephanus Muller’s liner notes here.
by Hilde Roos | Oct 14, 2018 | Collections
Musiek, erfenis en restitusie was die elemente van Dinsdagaand se opening van die nuwe tuiste van AOI op Stellenbosch. Lees artikel in Die Burger.
by Hilde | Mar 28, 2018 | Collections
From the outside, it looks like a barn. But on entering, you step into a spacious hall with a Model D Steinway piano and small recording studio. Potton Hall on the UK’s Suffolk coast is located in Benjamin Britten country. To the north, it’s half an hour from...
by Hilde Roos | Mar 1, 2018 | Collections, DOMUS, News
Prof. Chris Walton writes about forgetting and remembering in South Africa. Read the article here.
by Hilde | Feb 18, 2018 | Archive, Collections, Events
How does one think about classical Western music in 2018 in South Africa? And what place do the creators of such works occupy on the country’s cultural landscape? For me, these questions were prompted during the recent world premiere performances of three new piano...
